Hello suspense, my old friend...
Jul. 2nd, 2012 08:31 pmUsed my first "free" day to finally catch up on the last few eps of Fringe. I started watching in real time Season 4, then had to stop quickly because it made me hurt for the characters and I can only really take that when I know it gets better (and soon). So I waited out the Season and have been marathoning properly. Now, I can even take the beginning without breaking a sweat. :D
I dreaded ep 19 "Letters in transit" somewhat, given what I had read about it but my fears were unfounded. I was thouroughly entertained and loved the characters.
( Is that still a spoiler? Better safe than sorry. )
Also, and that was not only brought on by Fringe but several things I watched recently: suspense-building in either a breaking/entering/storming the fortress or a getaway scenario. You know, the good guys either try to get the bad guys or trying to make a run for it. And you know what? I think it's actually not that hard to generate suspense during scenes like that. Working on the assumption that your audience cares about the well-being of the good guys, all you need to do is make it a bit hard for them, have the bad guys nearly catch them, have someone trip and fall for godssakes.
I'm not talking about every show doing it as thrill-rid-y and masterfully as the Person of Interest Finale but watching Fringe today, I kinda had a weird retroactive "okay, that's fucking it" moment re: the SPN Finale. And it's all
mareen's fault because she totally put the thought in my head and it grew and grew there. :-P Now, I still am deliriously happy over some stuff in the SPN Finale, mainly the very end, but while it didn't bother me while watching I'm no longer sanguine about: ( again spoiler, I guess )
I dreaded ep 19 "Letters in transit" somewhat, given what I had read about it but my fears were unfounded. I was thouroughly entertained and loved the characters.
( Is that still a spoiler? Better safe than sorry. )
Also, and that was not only brought on by Fringe but several things I watched recently: suspense-building in either a breaking/entering/storming the fortress or a getaway scenario. You know, the good guys either try to get the bad guys or trying to make a run for it. And you know what? I think it's actually not that hard to generate suspense during scenes like that. Working on the assumption that your audience cares about the well-being of the good guys, all you need to do is make it a bit hard for them, have the bad guys nearly catch them, have someone trip and fall for godssakes.
I'm not talking about every show doing it as thrill-rid-y and masterfully as the Person of Interest Finale but watching Fringe today, I kinda had a weird retroactive "okay, that's fucking it" moment re: the SPN Finale. And it's all
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